TETRA TECTONIC

At last we can reveal our 2016 National Gallery of Victoria Summer Pavilion competition entry. The genesis of our TETRA TECTONICS proposal lies in the notion of the triangle as the fundamental function of structure. Our structure was derived from early experimentation with basic shelter forms, where our 
intention was to restrict the building’s components to basic geometric shapes in minimising materials and construction time and complexity. The  triangle form operated as the key structural element in the scheme, given its inherent structural stability and its inter-stabilising angles.  

The shelter was a catalyst for further explorations wherein the triangle form was isolated and tested for its structural capabilities. Our prototype was simplified further, with internal flanges removed to emphasise the structural strengths of the triangle. The outcome was a configuration of 6  triangles combined to form a 360 degree turn, and ultimately, an infinite and endless plane. When fixed with a 45 degree angled wing, these forms could also facilitate a 90 degree junction between horizontal and vertical planes, providing all the necessary ingredients for a complete structure. ​

TETRA TECTONICS exploits this pattern system to shape a sculptural landmark and unveil a 
precursor to future modes of building. Our summer pavilion responds to the aesthetic needs placed upon a gallery-based pavilion by creating an innately sculptural and poetic design solution wherein all elements demonstrate a duality of purpose with both aesthetic and structural benefits.